Kaufman has painted watercolor maps of the state according to it’s mountain ranges, watersheds, forests, weather patterns, deserts, wildlife, parks and protected lands, counties, and what he describes as a “rewilded” future, how water and forest could reclaim that landscape without human interference.
Ellis Avery's novel The Last Nude is a fictionalized account of an affair between a 30-year-old DeLempicka and her teenage model Rafaela Fano. I am a sucker for fictitious biographies about artists. They are a guilty pleasure I don't feel very guilty about.
I'm very excited to share my finished book, and the process of creating it. The Birdcage Soprano follows Operetta Violetta on her journey to write the Most Beautiful Song in the World. She learns she can't make progress without having experiences to inspire her art. Befriended by several songbirds, a librarian, and a gardener, Operetta joins a mission to reclaim a stolen book that could help her write the perfect song. I infused it with magic, nature, and the ability of art to change lives.
Much of the content of the poster design by See Red Women's Workshop is still relevant today. Sorry as it is that women still face a world that fears their sexuality, seeks to control their bodies and does not place full economic value on their minds or labor, it is satisfying to pick up this collection of original designs and connect with so many other women through it.
Titania and Oberon spoke to me from across the room - I immediately gravitated to the cover illustration by Phyllis Bray. The lushly illustrated pages continued within, and I knew I wanted to make this book my daughter's special present to bring back from Italy. This book is wrapped and under our Christmas tree, waiting to be discovered! I bought it at Fox Gallery in Rome on my holiday vacation.
My Favorite Thing Is Monsters, by Emil Farris, is about young Karen who draws herself as a female Wolfman who is also a pulp novel detective bent on solving the murder of her upstairs neighbor, who is a survivor of sexual violence and the Holocaust. Karen fills her notebook with drawings of her beloved Horror comic book covers and the diverse people who populate her neighborhood and apartment building. She is inspired by her older brother who takes her to art museums and studies the master paintings with her. As Karen sketches the world around her, we see how everyday people can be monstrous, and the perceived "real" monsters can be a sanctuary.